It’s also heavier than either of those two lenses at a whopping 31.3 ounces. The first is price-$2,000 makes it considerably more costly than either the Canon 24-70mm f/2.8 or Nikon 24-70mm f/2.8. But this lens does have its shortcomings. If you’re looking for the top FE zoom in terms of optical quality, the 24-70mm f/2.8 GM is it. All things considered, it may be the best 24-70mm f/2.8 on the market from any brand. Enter the 24-70mm f/2.8 GM, which is super sharp, creates superb bokeh, and is extremely well built. For Sony FE, first came the mediocre Sony 28-70mm f/3.5-5.6, then the decent Sony 24-70mm f/4, but neither was up to professional standards at this crucial focal length range. The 24-70mm f/2.8 GM is the lens that made Sony’s full-frame mirrorless cameras truly competitive with Canon and Nikon. For more background information, see our Sony FE lens comparison table and buying advice below the picks. Given Sony’s strong relationship with Zeiss, there are plenty of high-end options that should make even the most discerning photographers happy. Below we break down the best Sony FE (full frame) lenses, including zooms and primes from wide angle to telephoto. It’s true that the FE lens options for Sony still are more limited than the offerings for Canon and Nikon cameras, but the collection is growing and far more impressive in 2020 than even a year ago. I hope this post helps those of you who are wondering about the lens and what it can do.įirst shots give you the idea of the min and max focal lengths of 28mm (top) and zoomed in at 70mm (below that) and then we have some other samples.Sony’s full-frame mirrorless cameras have created a lot of buzz in the photography world. NB: I have not tried the lens for video yet. As I get more familiar with the camera and the lens I'll get better results. At certain focal lengths its no prime but it is versatile and quite fun to use! I think what impressed me the most is that for a 'slow' lens I was able to get some cool shots of the roller coaster riders while shooting in continuous shooting 10fps mode - every frame is pretty sharp and usable. Personally I really like this lens for a walking around where I have different scenarios in front of me. Edits mainly consist of contrast, crop and sharpening. Its important to note that I shot jpegs (extra fine) not RAW (as I don't have an editor yet) so the information I was able to rescue from the jpegs was limited. I've also included several quick edits of the originals to show how they can be pushed. Its going to struggle more in less than adequate light. Not the ideal time to shoot so I think that is helpful to gauge the results from the lens. The lighting was actually pretty bad yesterday - drab overcast with a little bit of clear sky at times. What I have done here is to show a variety of shots from 28mm to 70mm. I didn't want this to be an overly technical post - just WYSIWYG. So please keep that in mind when viewing the pics I thought I'd post a bunch of samples that I shot yesterday in Coney Island to show some examples of how the kit 28-70mm lens works.įirstly, let me say this was my second day with the camera and I am still very much figuring things out, not to mention this is my first semi-pro camera I have owned. OK, so like me, a lot of people getting a Sony A series camera for the first time often ask "is the kit lens any good?".
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